Martin Wittfooth’s intensely allegorical paintings all suggest the future of the human condition — without showing a single person. The Brooklyn-based painter has transcended the illustrative genre and entered into the realm of modern masterworks, using a time-honored painterly tradition that may be painstaking, but reveals incredible depth in both medium and content. His paintings are haunting in that they have a feeling of real possibility. The familiar scenes hint of dystopia and disrepair; their animal subjects are beautiful, but also betray that something in this world is amiss. In light of the long-awaited recognition and acceptance of climate change, Wittfooth’s work has an undercurrent of forewarning about what could happen if humans don’t get our act together. We spoke to the artist about his post-apocalyptic vision, classic style, and the of using animals instead of people as subjects.